Happy Thanksgiving

Let us give thanks for this magical cornucopia of things to do!
[Updated 11/13]
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Art
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I have not seen everything on my list, but Hilma af Klint: Paintings for the Future, at the Guggenheim, must surely be one of the greatest shows of the fall. The didactics and the catalog seek to cast af Klint as an abstract painter avant la lettre, and thus, perhaps, the very first abstract painter (and a woman!), who was painting squares and amoebas and squiggly lines before any of the more well known males, such as Kandinsky or Malevich, were painting them. But af Klint was not concerned, as they were, with eschewing the representational, or breaking with tradition, or art for its own sake. Even when af Klint’s painting most resembles the hard edged abstraction of the mid twentieth century, you get the feeling that something, some reality or idea, is being depicted, or at least symbolized. The point of being the first at something in art history is mainly one of influence. The male artists whose abstract paintings hang nearby certainly had influence, but af Klint exhibited her work only once during her lifetime, and when she died, she directed that her paintings not be shown until 20 years after her death. It is true that she was doing something nobody else was doing at the time, but her work gains or loses nothing by coming before Kandinsky. It is so beside the point, in fact, that I suspected the Guggenheim was trying to distract the public from its (and the rest of the world’s) macho myopia. Hilma af Klint has been dead for 64 years. Her work was first exhibited 44 years after her death, in 1986, and as the Guggenheim website says, “only over the subsequent three decades have her paintings and works on paper begun to receive serious attention.” Oops.
The only timeline that matters is hers. Like many other women in the 1880s and 1890s, she was a medium, and at first she painted what the spirits she channeled told her to paint. Later, she painted by instinct. Her mission, apparently, was to show how the processes of matter and time might be made visible in images. She used symbolism as a basic structure, over which she lay a diagram of cosmic occurrences. The pictorial depth is usually flat or limitless, but sometimes there are three dimensions, Necker cubes snapping in and out, and sometimes she is able to suggest the fourth dimension by controlling the way the eye moves around the painting. Time is also suggested in the serial nature of her work. Most paintings are part of series that show stages in a process, and this is especially true in the smaller drawings, which vary more minutely from drawing to drawing, as if they were cells in an animation. (Film as a medium was just beginning to develop.) Her paint application is primarily expedient, void of any aesthetic flourish that might be a distraction, and there is no identifiable style with which to date them—they could have been painted yesterday. Her belief in science as proof of a supernatural world beyond the perceptible was a relatively common one during her time, but she seems to have come to her own conclusions about what that world might mean, or look like, or be. She found a way to show it succinctly, and because of this, her visions are immediately accessible, her consciousness ours.

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Chelsea

Jacob Lawrence at Michael Rosenfeld Gallery,
part of Truth and Beauty: Charles White and his Circle
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- OPENING: Drawing Space, a group show, with Hanne Darboven, Fred Sandback, Keith Sonnier, et al., at David Nolan Gallery, November 1 – December 21
- OPENING: Richard Prince: High Times, Gagosian, 21st St., November 1 – December 15
- OPENING: Hélio Oiticica, Spatial Relief and Drawings, 1955-59, Galerie Lelong, November 3 – December 22
- OPENING: DO NOT MISS: Ellsworth Kelly: Color Panels for a Large Wall, Matthew Marks, 22nd St., November 3 – December 22
- OPENING: DO NOT MISS: Lisa Yuskavage, Babie Brood: Small Paintings, 1985-2018, David Zwirner, November 8 – December 15, with new paintings uptown
- JUST OPENED: Michael Krebber, at Green Naftali, through December 15
- JUST OPENED: Group show with Chantal Ackerman, Lutz Bacher, Barbara Kruger, et al, at Greene Naftali, through December 15
- JUST OPENED: Robert Whiteman, 61, at Pace, through December 21
- JUST OPENED: Mark Grotjahn, New Capri, Capri, Free Capri, Gagosian, through December 22
- 50 Years: An Anniversary, at Paula Cooper (26th), through November 3
- DO NOT MISS: Charles White, Truth & Beauty: Charles White and His Circle, Michael Rosenfeld Gallery, through November 10
- Constantin Brancusi and Marcel Duchamp, The Art of Dialogue, at Kasmin (27th), through December 22
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Uptown

Bruce Nauman at MoMA and PS1
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- OPENING: Barbara Kruger, 1978, at Mary Boone, November 1 – December 21
- OPENING: Jules Olitski: 60’s Sprays, Leslie Feely Fine Art, November 1 – January 1
- OPENING: Lisa Yuskavage: New Paintings, David Zwirner, November 8 – December 15, with a concurrent show in Chelsea
- OPENING: DO NOT MISS: Agnes Martin / Navajo Blankets, at Pace, November 14 – December 21
- JUST OPENED: Jim Dine: The Black Paintings, Richard Gray Gallery, through December 21
- Jenny Holzer, Suzanne Lacy, Senga Nengudi, Yoko Ono, Kara Walker, etc., The Un-Heroic Act, Any and Andrew Shiva Gallery and President’s Gallery, John Jay College of Criminal Justice (860 11th Ave, at 59th St.), through November 2
- Eugène Delacroix: Works on Paper, at Jill Newhouse, through November 20
- Odyssey: Jack Whitten Sculpture, 1963-2017, at Met Breuer, through December 2
- Nate Lowman, Never Remember, at Gagosian, through December 15
- Bodys Isek Kingelez, City Dreams, at MoMA, through January 1
- Everything is Connected: Art and Conspiracy, at Met Breuer, through January 6
- DO NOT MISS: Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk, 1918-1922, at The Jewish Museum, through January 6
- Everything is Connected: Art and Conspiracy, at Met Breuer, through January 6
- Agents of Faith: Votive Objects in Time and Place, at the Bard Graduate Center (18 W. 86th St.), through January 6
- Eugene Delacroix, a survey, at the Metropolitan Museum of Art, through January 6
- Charles White: A Retrospective, at MoMA, through January 13
- The Progressive Revolution: Modern Art for a New India, at Asia Society and Museum, through January 20
- Gustav Klimt and Egon Schiele, 1918 Centenary, Neue Galerie, through January 21
- Franz Marc and August Macke, 1909-1914, Neue Galerie, through January 21
- Robert Morris: Banners & Curses, at Castelli Gallery, through January 25
- Ed Ruscha, Ace Radio Honk Boss, at Craig F. Starr Gallery, through January 26
- Liliana Porter: Other Situations, at El Museo del Barrio, through January 27
- DO NOT MISS: Judson Dance Theater: The Work Is Never Done, at MoMA, through February 3
- DO NOT MISS: Hilma af Klint: Paintings for the Future, at the Guggenheim, through February 3
- DO NOT MISS: Bruce Nauman: Disappearing Acts, at MoMA (also at PS1), through March 17
- DO NOT MISS: Relative Values: The Cost of Art in the Northern Renaissance, at The Met, through June 23
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Downtown

Richard Tuttle at Owen James Gallery
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- JUST OPENED: Mary Manning: Love, Canada (LES), through December 2
- JUST OPENED: The Thick Lines Between Here and There, a group show comparing four of Thailand’s foremost abstract painters with American painters, including works by Franz West, Richard Tuttle, Robert Rauchenberg, Robert Mangold, etc., at Owen James Gallery (SoHo), through December 8
- Paul Mogenson, at Karma (East Village), through November 4
- Strange Attractors – The Anthology of Interplanetary Folk Art Vol. 2: The Rings of Saturn, a group show curated by Bob Nikas, with Bruce Conner, Candy Jernigan, B. Wurtz, and many others, at Kerry Schuss (LES), through November 10
- Maruja Mallo, Paintings 1926-1952, at Ortuzar Projects (TriBeCa), through December 1
- Sarah Lucas: Au Naturel, at New Museum (SoHo), through January 20
- Rubbish and Dreams: The Genderqueer Performance Art of Stephen Varble, at the Leslie-Lohman Museum of Gay and Lesbian Art (SoHo), through January 27
- Morandi, Sironi, Carrà: Metaphysical Masterpieces, 1916-1920, at Center for Italian Modern Art (SoHo), through June 15
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Outside Manhattan

Bruce Nauman
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- Robert Irwin, Site Determined, at Pratt Institute, 100 Willoughby, Brooklyn, through November 28
- DO NOT MISS: Bruce Nauman: Disappearing Acts, at PS1 (also at MoMA), through March 17
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Film
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Dead Souls (2018), directed by Wang Bing, at Film Society
Why do the arthouses schedule their series in extremely short time frames? Is anyone really available to watch three films in one day? (See Metrograph’s Wang Bing series, with five films screening in one weekend.) Or six films in four days? (See Film Society’s Six by Kore-eda.) And why schedule them on the same days another venue is screening films by the same director? (See, again, Metrograph’s Wang Bing, which happens while more of his films screen uptown at Film Society.) For anyone who is not a lady who picnics at theaters, this is an impossible scenario. 6…6?……6?! In four days?! It’s Satanic! Breaks God’s heart.
New Releases
- Suspiria, dir. Luca Guadagnino, with Tilda Swinton, Chloe Moretz, Dakota Johnson
- Boy Erased, dir. Joel Edgerton, with Lucas Hedges, Nicole Kidman, Russell Crowe, Xavier Dolan
- Infinite Football, dir. Corneliu Porumboiu, a documentary
- Maria by Callas, dir. Tom Volf, a documentary
- A Private War, dir. Matthew Heineman, with Rosamund Pike, Jamie Dornan, Stanley Tucci
- Prospect, dir. Zeek Earl & Chris Caldwell, with Jay Duplass, Sophie Thatcher
- Searching for Ingmar Bergman, dir. Margarethe von Trotta, a documentary
- The Front Runner, dir. Jason Reitman, with Hugh Jackman, Vera Farmiga
- Burning, dir. Lee Chang-Dong, with Jong-seo Jun, Kim Soo-Kyung
- The Girl in the Spider’s Web, dir. Fede Alvarez, with Clare Foy, Sverrir Gudnason
- Overlord, dir. Julius Avery, with Jovan Adepo
- The Ballad of Buster Scruggs, dir. Joel Coen, with Tim Blake Nelson as Buster Scruggs, and a large cast (Netflix)
- Chef Flynn, dir. Cameron Yates, a documentary about Flynn McGarry, the young Chef and owner of Gem in Manhattan
- Widows, dir. Steve McQueen, with Viola Davis, Elizabeth Debicki
- At Eternity’s Gate, dir. Julian Schnabel, with Willem Defoe as Van Gogh, looks sort of bad
- Jonathan, dir. Bill Oliver, with Ansel Elgort, Patricia Clarkson
- Roma, dir. Alfonso Cuaron
- The Favorite, dir. Yorgos Lanthimos, with Rachel Weisz, Olivia Colman, Emma Stone
- Shoplifters, dir. Hirokazu Kore-eda
- The Possession of Hannah Grace, dir. Diederik Van Rooijen, with Shay Mitchell
- Anna and the Apocalypse, dir. John McPhail, with Ella Hunt
- Dead Souls, dir. Wang Bing, a documentary
- The Other Side of the Wind, dir. Orson Welles (Netflix), with John Huston
- They’ll Love Me When I’m Dead, a documentary about The Other Side of the Wind, dir. Morgan Neville
Trailers Playlist
Series
- The Contenders 2018, MoMA’s year end retrospective of the year’s most significant and entertaining films, offers members an opportunity to see the films they may have missed for free. The series includes Steve McQueen’s new Widows, as well as Orson Welles’ recently completed The Other Side of the Wind (available on Netflix) and Morgan Neville’s documentary about it, They’ll Love Me When I’m Dead. Also screening are The Front Runner; RBG; Monrovia, Indiana; Zama; Won’t You Be My Neighbor?; Wildlife; Roma; Isle of Dogs; Suspiria; The Death of Stalin; The Guilty; and many others, November 8 – January 8
- Ida Lupino 100, at Film Forum, examines the early female director’s films, including her masterpiece, and the only true film noir film directed by a female, The Hitch-Hiker (1953), November 9 – 22
- Wang Bing, at Metrograph, featuring six films, five on November 17 & 18, and one on the 24th
- Six by Kore-Eda, at Film Society Lincoln Center, will show Maborosi (1995), After Life (1998), Nobody Knows (2004), Still Walking (2008), I Wish (2011), and Like Father, Like Son (2013), November 19 – 22
- Darius Khondji, the cinematographer, will get a big retrospective of 13 films, shot for directors Michael Haneke, Jean-Pierre Jeunet, James Gray, and others, at Metrograph this month. Among them is Zidane: A 21st Century Portrait (2006), directed by Douglas Gordon and Philippe Parreno, which uses seventeen cameras of different types to follow the soccer player Zinedine Zidane through an entire match. November 19 – 25
- Rita Hayworth 100, at Film Forum, including Only Angels Have Wings (1939), dir. Howard Hawks, November 23 – 29
- Comin’ Back At Ya! 35mm 3-D, Quad’s reprise of its 2017 film series of kitchy 3-D films, including one I remember seeing in the theater, Jaws 3-D (1983), dir. Joe Alves. I remember my father telling me, “You and I can watch that film and be fine, but someone who is not right in the head would be very disturbed.” November 23 – 29
- Perversion Stories: A Fistful of Giallo Restorations, at Quad, November 23 – 29
- Andy Warhol films will be shown at the Whitney Museum’s during the exhibition, Andy Warhol—From A to B and Back Again
Short Runs and Engagements
- Luchino Visconti’s Senso (1954), at Film Forum, through November 8
- Monrovia, Indiana (2018), dir. Frederick Wiseman, at Film Forum, through November 8
- Burning (2018), dir. Chang-Dong, at Film Society Lincoln Center and Quad, currently through November 9
- The Owl’s Legacy (1990), dir. Chris Marker, at Metrograph, currently November 9 – 11
- The Guilty (2018), dir. Gustav Möller, at Film Society Lincoln Center and Quad, currently through November 9
- The Wild Boys (2017), dir. Bertrand Mandico, at Anthology Film Archives, November 15 – 21
- Shoplifters (2018), dir. Hirokazu Kore-eda, at Film Society Lincoln Center, starting November 23
- Detour (1945), dir. Edgar G Ulmer, a truly strange noir film, said by Greil Marcus to be a precursor to David Lynch’s Lost Highway, in a new 4K restoration, at Film Forum, November 30 – December 6
Special Screenings
- West of the Tracks (2003), dir. Wang Bing, a nine hour documentary, will screen in three parts at Film Society Lincoln Center, November 16 – 18
- Dead Souls (2018), dir. Wang Bing, an 8.5 hour documentary “largely comprised of interviews with survivors of the Jiabiangou and Mingshui re-education camps of the late 1950s,” at Film Society Lincoln Center, November 18. (It will screen again, in three parts, at Anthology Film Archives in December)
- 15 Hours (2017), dir. Wang Bing, screens in its entirety (15 hours) on November 17 and 18; “This documentary installation consists of a single, 15-hour take shot in a garment factory in China and captures the daily labor of its 300,000 migrant workers and the functioning of its 18,000 production units. Rigorous and hypnotic, 15 Hours marks Wang’s most radical meditation on the contemporary meaning of work and the state of labor conditions in present-day China,” November 17, free and open to the public
- “Do It Yourself”: Warhol as Balletomane, a selection of shorts related to dance and dancers, as part of the Whitney’s Andy Warhol Exhibition, November 17 and 23
- Variations V (1966), one of Merce Cunningham’s earliest filmed dances, at Anthology Film Archives, November 19
- The House That Jack Built (2018) [DIRECTOR’S CUT] dir. Lars von Trier, and starring Matt Dillon and Uma Thurman, at Film Society Lincoln Center and IFC, November 28 only
- Rapt (1934), dir. Dimitri Kirsanoff, in 35mm, at Anthology Film Archives. “The radical nature of RAPT, however, resides in its vision of a cinematic musical score. In making the film, Kirsanoff worked closely with the composers Honegger and Hoerce.” November 23
- Electro-Pythagoras (A Portrait of Martin Bartlett) (2017), dir. Luke Fowler, at Anthology Film Archives, November 30 – December 6
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Film Calendar
Thursday, November 8
Widows (2018), dir. Steve McQueen
7:00 p.m., MoMA
Wednesday, November 14
Girl (2018), dir. Lukas Dhent
7:00 p.m., MoMA
Friday, November 16
The Barefoot Contessa (1954), dir. Joseph L. Mankiewicz, in 35mm
7:00 & 10:00 p.m., Metrograph
The Front Runner (2018), dir. Jason Reitman
7:00 p.m., MoMA
West of the Tracks, Part 1: Rust (2003), dir. Wang Bing
7:00 p.m., Film Society Lincoln Center
Saturday, November 17
RBG (2018), dir. Betsy West
5:00 p.m., MoMA
West of the Tracks, Part 2: Remnants (2003), dir. Wang Bing
3:00 p.m., Film Society of Lincoln Center
15 Hours (2017), dir. Wang Bing (US Premier; 15 hours long)
2:00 p.m., Film Society Lincoln Center, free and open to the public
“Do It Yourself”: Warhol as Balletomane
Screen Test ST137, Freddy Herko, 1964
Screen Test ST52, Lucinda Childs, 1964
Screen Test ST53, Lucinda Childs, 1964
Shoulder, 1964
Jill and Freddy Dancing, 1963
Jill Johnston Dancing, 1964
7:00 p.m., Whitney Museum, $12
Sunday, November 18
Dead Souls (2018), dir. Wang Bing, 495 minutes (full presentation)
1:00 p.m., Film Society Lincoln Center
15 Hours (2017), dir. Wang Bing (US Premier; 15 hours long)
2:00 p.m., Film Society Lincoln Center, free and open to the public
West of the Tracks, Part 3: Rails (2003), dir. Wang Bing
7:00 p.m., Film Society Lincoln Center
Monday, November 19
Merce Cunningham Centennial
Variations V (1966), one of Cunningham’s earliest filmed dances
7:15 p.m., Anthology Film Archives
Tuesday, November 20
Zidane: A 21st Century Portrait (2006), dir. by Douglas Gordon and Philppe Parreno
5:15 p.m., Metrograph
Wednesday, November 21
Monrovia, Indiana (2018), dir. Frederick Wiseman
7:00 p.m., MoMA
Friday, November 23
“Do It Yourself”: Warhol as Balletomane
Screen Test ST137, Freddy Herko, 1964
Screen Test ST52, Lucinda Childs, 1964
Screen Test ST53, Lucinda Childs, 1964
Shoulder, 1964
Jill and Freddy Dancing, 1963
Jill Johnston Dancing, 1964
2:00 p.m., Whitney Museum, $12
Zama (2018), dir. Lucrecia Martel
7:00 p.m., MoMA
Rapt (1934), dir. Dimitri Kirsanoff, 35mm
7:00 p.m., Anthology Film Archives
Saturday, November 24
The Old Man & the Gun (2018), dir. David Lowery
7:00 p.m., MoMA
Sunday, November 25
BlackKKlansman (2018), dir. Spike Lee
2:00 p.m., MoMA
Won’t You Be My Neighbor? (2018), dir. Morgan Neville
5:00 p.m., MoMA
Tuesday, November 27
Wildlife (2018), dir. Paul Dano
7:00 p.m., MoMA
Wednesday, November 28
The House That Jack Built (2018) [DIRECTOR’S CUT], dir. Lars von Trier
4:00 & 7:30 p.m., Film Society Lincoln Center
4:00, 6:00, 7:00, 9:15, 10:00 p.m., IFC
Roma (2018), dir. Alfonso Cuaron
7:00 p.m., MoMA
Thursday, November 29
First Reformed (2018), dir. Paul Schrader
7:00 p.m., MoMA
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Dance
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Twyla Tharp Dance at Joyce
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On the Calendar This Month
- For Merce Cunningham’s Centennial, Anthology Film Archives will begin an ongoing series of films. The first film in the series is Variations V (1966), one of Cunningham’s earliest filmed dances. Gus Solomons, Jr., who performed in Variations V and appears in the film, will be in person for an introduction and Q&A, November 19
- Cesc Gelabert performs alongside Pedja Muzijevic on piano as he plays Morton Feldman’s meditative, nearly two hour work Triadic Memories, if you missed Marilyn Nonken’s wonderful performance at the Provincetown Playhouse in September, now is your chance! Listen, even if you don’t like it, it’s a great nap.
- Balanchine: The City Center Years, at New York City Center, with ballet companies from around the world performing well known and not so well known works
- I added James Whiteside in Arthur Pita’s The Tenant, because, although the idea of a dance play seems like the kind of thing I would run out of screaming, the video preview shows three great dancers performing well
- A video preview of the piece by Oui Danse at New York Live Arts (on the website) reminded me of the wonderful group movement scene in Madeline’s Madeline, the kind of echoing that can be gimmicky and predictable (watch the dominoes fall), but which I would like to see utilized well, and this might be my chance, and at $25 you can’t go wrong
- The Coates / McElheny / Phuon I know nothing about, but Coates and McElheny studied with Yvonne Rainer and at Baryshnikov’s White Oak Dance Project
- Jesper Just at BAM looks very silly, but it includes a film of Kim Gordon making music by banging on a border wall with a pole, and en pointe dancing in an immersive setting. After being literally a foot away from the delicately posing ballerinas at Jen DeNike’s art performance Escape Velocity at Signs & Symbols in September, I want to relive the experience. Unfortunately it is sold out, but I have had luck being aggressive with door people. Let me slip you a Jackson?
- The Barnard / Columbia dances are on the calendar because, well, anything with a whiff of Cunningham makes me want to be in a Cage-y sandwich
- Finally, TWYLA. Ms. Tharp to you. To Wit: Your Living Angel
Coming up…
- Les Arts Florissants, conducted by William Christie, will stage two Rameau ballets, La naisssance d’Osiris and Daphnis et Églé, March 1 – 3, 2019. Tickets on sale December 11
- If you missed Twyla Tharp’s transcendent In the Upper Room at ABT last week, you will have another chance in the spring. ABT will perform it again, along with two other Twyla Tharp masterpieces, The Brahms-Haydn Variations, set to Brahm’s wonderful Variations on a Theme by Haydn, and Deuce Coupe, set to music by The Beach Boys. The program is called Tharp Trio, and will be performed five times between May 30 and June 3, 2019, at the Metropolitan Opera House
Dance Calendar
Thursday, November 1
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Lucinda Childs
Pastime (1963/82), Calico Mingling (1973),
Radial Courses (1976/90), Katema (1978/2013)
12:00 & 3:00 p.m., MoMA, FREE with admission
Framing Time
Cesc Gelabert, choreography
Pedja Muzijevic, piano
Morton Feldman: Triadic Memories
8:00 p.m., Baryshnikov Arts Center, Jerome Robbins Theater
Balanchine: The City Center Years
The Mariinsky Ballet: Apollo (Stravinsky)
Apollo: Xander Parish, Terpischore: Maria Horeva, Polyhymnia: Anastasia Nuikina, Calliope: Daria Ionova
New York City Ballet: Concerto Barocco (Bach)
Maria Kowroski, Abi Stafford, Russell Janzen
The Royal Ballet: Tschaikovsky Pas de Deux (Tschaikovsky)
Anna Rose O’Sullivan, Marcelino Sambé
San Francisco Ballet: Divertimento No. 15 (Mozart)
Dores André, Frances Chung, Sasha De Sola, Koto Ishihara, Ana Sophia Scheller,
Benjamin Freemantle, Angelo Graco, Lonnie Weeks
8:00 p.m., New York City Center
Friday, November 2
Lucinda Childs
Pastime (1963/82), Calico Mingling (1973),
Radial Courses (1976/90), Katema (1978/2013)
12:00 & 3:00 p.m., MoMA, FREE with admission
Framing Time
Cesc Gelabert, choreography
Pedja Muzijevic, piano
Morton Feldman: Triadic Memories
8:00 p.m., Baryshnikov Arts Center, Jerome Robbins Theater
Balanchine: The City Center Years
San Francisco Ballet: Scotch Symphony (Mendelssohn)
Mathilde Froustey, Joseph Walsh, Dores André
The Mariinsky Ballet Tschaikovsky Pas de Deux (Tschaikovsky)
Viktoria Tereshkina and Kimin Kim
Paris Opera Ballet: Divertissement Pas de Deux from A Midsummer Night’s Dream (Mendelssohn)
Hugo Marchand and Sae-Eun Park
The Joffrey Ballet: The Four Temperaments (Hindemith)
Melancholic: Yoshihasa Arai; Sanguinic: Christine Rocas and Dylan Gutierrez;
Phlegmatic: Greig Matthews; Choleric: Victoria Jaiani
8:00 p.m., New York City Center
Saturday, November 3
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Lucinda Childs
Pastime (1963/82), Calico Mingling (1973),
Radial Courses (1976/90), Katema (1978/2013)
12:00 & 3:00 p.m., MoMA, FREE with admission
Balanchine: The City Center Years
The Joffrey Ballet: The Four Temperaments (Hindemith)
Melancholic: Alberto Velazquez; Sanguinic: April Daly and Miguel Angel Blanco;
Phlegmatic: Rory Hohenstein; Choleric: Victoria Jaiani
Miami City Ballet: Pas de Trois (Glinka) (Glinka)
Nathalia Arja, Ashley Knox, Kleber Rebello
Paris Opera Ballet: Pas de Deux from Agon (Stravinsky)
Hugo Marchand and Sae-Eun Park
San Francisco Ballet: Divertimento No. 15 (Mozart)
Dores André, Sasha De Sola, Koto Ishihara, Wona Park, Ana Sophia Scheller,
Benjamin Freemantle, Angelo Graco, Lonnie Weeks
2:00 p.m., New York City Center
Balanchine: The City Center Years
The Mariinsky Ballet Apollo (Stravinsky)
Apollo: Xander Parish, Terpischore: Maria Horeva, Polyhymnia: Anastasia Nuikina, Calliope: Daria Ionova
The Royal Ballet: Tarantella (Gottschalk)
Anna Rose O’Sullivan and Marcelino Sambé
Paris Opera Ballet: Pas de Deux from Agon (Stravinsky)
Hugo Marchand and Sae-Eun Park
American Ballet Theatre: Symphonie Concertante (Mozart)
Christine Shevchenko, Devon Teuscher and Thomas Forster
8:00 p.m., New York City Center
Sunday, November 4
Lucinda Childs
Pastime (1963/82), Calico Mingling (1973),
Radial Courses (1976/90), Katema (1978/2013)
12:00 & 3:00 p.m., MoMA, FREE with admission
Balanchine: The City Center Years
The Joffrey Ballet: The Four Temperaments (Hindemith)
Melancholic: Yoshihasa Arai; Sanguinic: Christine Rocas and Dylan Gutierrez;
Phlegmatic: Greig Matthews; Choleric: Victoria Jaiani
Paris Opera Ballet: Divertissement Pas de Deux from A Midsummer Night’s Dream (Mendelssohn)
Hugo Marchand and Sae-Eun Park
The Mariinsky Ballet: Tschaikovsky Pas de Deux (Tschaikovsky)
Viktoria Tereshkina and Kimin Kim
American Ballet Theatre: Symphonie Concertante (Mozart)
Christine Shevchenko, Devon Teuscher and Thomas Forster
3:00 p.m., New York City Center
Tuesday, November 6
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
The Tenant, a dance play
James Whiteside and Cassandra Trenary (both ABT)
Arthur Pita, choreographer and director
7:30 p.m., Joyce Theater
Wednesday, November 7
The Tenant, a dance play
James Whiteside and Cassandra Trenary (both ABT)
Arthur Pita, choreographer and director
7:30 p.m., Joyce Theater
Thursday, November 8
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Oui Danse / Brice Mouset
Work!
7:30 p.m., New York Live Arts
The Tenant, a dance play
James Whiteside and Cassandra Trenary (both ABT)
Arthur Pita, choreographer and director
8:00 p.m., Joyce Theater
Emily Coates & Josiah McElheny /
Emmanuéle Phuon: A Shared Evening
Phuon: Bits & Pieces (Choreographic Donations)
Coates & McElheny: A History of LIght
8:00 p.m., Danspace, $22
Friday, November 9
Oui Danse / Brice Mouset
Work!
7:30 p.m., New York Live Arts
The Tenant, a dance play
James Whiteside and Cassandra Trenary (both ABT)
Arthur Pita, choreographer and director
8:00 p.m., Joyce Theater
Emily Coates & Josiah McElheny /
Emmanuéle Phuon: A Shared Evening
Phuon: Bits & Pieces (Choreographic Donations)
Coates & McElheny: A History of LIght
8:00 p.m., Danspace, $22
Saturday, November 10
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Oui Danse / Brice Mouset
Work!
7:30 p.m., New York Live Arts
The Tenant, a dance play
James Whiteside and Cassandra Trenary (both ABT)
Arthur Pita, choreographer and director
2:00 & 8:00 p.m., Joyce Theater
Emily Coates & Josiah McElheny /
Emmanuéle Phuon: A Shared Evening
Phuon: Bits & Pieces (Choreographic Donations)
Coates & McElheny: A History of LIght
8:00 p.m., Danspace, $22
Sunday, November 11
The Tenant, a dance play
James Whiteside and Cassandra Trenary (both ABT)
Arthur Pita, choreographer and director
2:00 p.m., Joyce Theater
Tuesday, November 13
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Wednesday, November 14
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
7:30 p.m., Joyce Theater
Thursday, November 15
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Jesper Just
Interpassivities
7:30 p.m., BAM Fisher
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
8:00 p.m., Joyce Theater
Friday, November 16
Jesper Just
Interpassivities
7:30 & 9:30 p.m., BAM Fisher
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
8:00 p.m., Joyce Theater
Saturday, November 17
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Jesper Just
Interpassivities
2:00 & 7:30 p.m., BAM Fisher
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
2:00 & 8:00 p.m., Joyce Theater
Sunday, November 18
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
2:00 p.m., Joyce Theater
Monday, November 19
Merce Cunningham Centennial
Variations V (1966), one of Cunningham’s earliest filmed dances
7:15 p.m., Anthology Film Archives
Tuesday, November 20
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
7:30 p.m., Joyce Theater
Wednesday, November 21
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
7:00 p.m., Joyce Theater
Thursday, November 22
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Friday, November 23
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
8:00 p.m., Joyce Theater
New York City Ballet
George Balanchine’s The Nutcracker
8:00 p.m., David H. Koch Theater
Saturday, November 24
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
New York City Ballet
George Balanchine’s The Nutcracker
2:00 & 8:00 p.m., David H. Koch Theater
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
2:00 & 8:00 p.m., Joyce Theater
Sunday, November 25
New York City Ballet
George Balanchine’s The Nutcracker
1:00 & 5:00 p.m., David H. Koch Theater
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
2:00 & 7:30 p.m., Joyce Theater
Tuesday, November 27
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
7:30 p.m., Joyce Theater
Wednesday, November 28
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
7:30 p.m., Joyce Theater
Thursday, November 29
Simone Forti’s Dance Constructions
11:30 a.m., 1:30 p.m., 3:30 p.m., MoMA (inside exhibition), FREE with admission
New York City Ballet
George Balanchine’s The Nutcracker
7:00 p.m., David H. Koch Theater
Barnard / Columbia Dances
Choreography by Merce Cunningham,
with premiers by David Dorfman, Amy Hall Garner, Adrienne Truscott
performed by Barnard and Columbia students
7:30 p.m., New York Live Arts
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
8:00 p.m., Joyce Theater
Friday, November 30
Barnard / Columbia Dances
Choreography by Merce Cunningham,
with premiers by David Dorfman, Amy Hall Garner, Adrienne Truscott
performed by Barnard and Columbia students
7:30 p.m., New York Live Arts
New York City Ballet
George Balanchine’s The Nutcracker
8:00 p.m., David H. Koch Theater
Twyla Tharp Dance
Minimalism and Me
Excerpts of early minimalist dances
8:00 p.m., Joyce Theater
.
Music
*

Joan LaBarbara, above, will perform her own work at The Flea this month
–
Ongoing Organs
Bach at Noon
Summer Season ends September 5, but the 2018-2019 season starts September 11, 2018 – May 22, 2019
Every Tuesday through Friday, from 12:20 – 12:50
Grace Church, 802 Broadway
Weekend Organ Meditation
Every Saturday and Sunday at 4:00 p.m.
September 9, 2018 – May 26, 2019
Grace Church, 802 Broadway
Music Calendar
